MAP19: Stargate is the nineteenth map of Deus Vult II. It was designed by Huy Pham (Doom Marine) and uses the music track ' '. The par time defined in MAPINFO is 3:30. Deus Vult by Evangelist, released 20 December 2018 1. Memento Homo Mori 3. The Leper King 7. Eremitus (Keeper of the Grail). Deus Vult II Feb 21 2008 Full Version 7 comments. Build for single-player demo recording and cooperative play. Currently the largest Doom mod in existence. The sequel to the original Deus Vult. Continue this thread level 2. 1 point 3 years ago. I heard Holy Hell was inspired by Deus Vult but in doing so made itself a joke. I should give DV a play sometime. 2 points 3 years ago. Scythe and it's sequels. They get pretty difficult but they're fun maps for multiplayer. WOTC Deus Vult Voice Pack DEUS VULT AYYFIDEL! A very hastily thrown together meme voice mod that only has a few lines but will let you TAKE JERUSAYYLEM from the Advent infidels. Featuring the voice from Starbot Dubs' DEUS VULT 2 SARACEN BOOGALOO Goes best with the Deus Vult Music Pack. Firaxis for making XCOM 2 and mod tools.
From DoomWiki.org
| Deus Vult II | |
|---|---|
| Author | Huy Pham (Doom Marine) |
| Port | Boom-compatible |
| IWAD | Doom II |
| Year | 2008 |
| Link | Doomworld/idgames |
| This mod received one of the 2008Cacowards on Doomworld! | |
Deus Vult II is a twelve level episode WAD created by Huy Pham (Doom Marine). As with the first Deus Vult, it contains maps rich with nigh-overwhelming opposition, in the vein of Alien Vendetta or Hell Revealed, with difficulty increasing sharply in the later levels.
It received one of regular awards during the 2008 Cacowards as well as the Mordeth award.
- 1Content
Content[edit]
Deus Vult II modifies several weapons in the protagonist's arsenal and adds a couple of custom monsters, coded through DeHackEd tweaks including the flying baron of Hell seen in Erik Alm's Scythe 2 as well as the Cleric from Hexen.
It also features three different soundtracks: the 'Ultimate' soundtrack heard in ZDoom (all levels except MAP19 use MP3 music), the 'idgame' soundtrack heard in ZDoom (maps 12 and 22 use MIDI music again), and the MIDI soundtrack heard when playing in a port without support for ZDoom's old MAPINFO syntax. The MAPINFO lump is also used to give a different music theme to the text screen between MAP31 and MAP32, and another for the transition between MAP20 and MAP21, from the other text screens.
Levels[edit]
MIDI Soundtrack[edit]
- MAP01: 'Excalibur' from Rise of the Triad by Bobby Prince
- MAP02: 'Metal Works' from Teenage Mutant Ninja Turtles: Tournament Fighters by Kazuhiko Uehara, sequenced by Brian Joseph
- MAP03: 'Preacher Man' by Fields of the Nephilim
- MAP12: TNT: EvilutionMAP16: Deepest Reachestheme
- MAP13: 'Into Sandy's City' by Bobby Prince
- MAP19: Vrack 3 theme by Fredrik Johansson
- MAP20: Slowed-down version of 'Silence of Sand' from Breath of Fire II by Yuko Takehara
- MAP21: HereticE1M4: The Guard Towertheme by Kevin Schilder
- MAP22: 'Krook's March (Chain Link Chamber)' from Donkey Kong Country 2 by David Wise, sequenced by Andreas and Savas Oulassoglou
- MAP23: 'Crocodile Cacophony (K. Rool's Theme)' from Donkey Kong Country 2 by David Wise, sequenced by Andreas and Savas Oulassoglou
- MAP29: 'Stickerbush Symphony (Bramble Blast)' from Donkey Kong Country 2 by David Wise
- MAP31: HereticE1M9: The Graveyardtheme by Kevin Schilder
- MAP32: Devil's Supremacy from Alien Vendetta
- Title screen: 'Main Title from Terminator 2' by Brad Fiedel
- Intermission: HereticE1M9: The Graveyardtheme by Kevin Schilder
- Text screen: 'Bigelow's Bungalow' from Age of Empires: The Rise of Rome, by Stephen Rippy
- Secret level text screen:
MP3 Soundtrack[edit]
Deus Vult Ii
- MAP01: 'Scrapyard' from Teenage Mutant Ninja Turtles: Tournament Fighters by Kazuhiko Uehara
- MAP02: 'Metal Works' from Teenage Mutant Ninja Turtles: Tournament Fighters by Kazuhiko Uehara
- MAP03: 'Noh Stage' from Teenage Mutant Ninja Turtles: Tournament Fighters by Kazuhiko Uehara
- MAP12: Theme from Lord of the Rings by Howard Shore ('Ultimate' version only)
- MAP13: 'High Ptera' from Jurassic Park 2: The Chaos Continues
- MAP19: MIDI only
- MAP20: 'Lawrence Of Arabia Overture' by Maurice Jarre
- MAP21: 'Search and Destroy' from Jurassic Park 2: The Chaos Continues
- MAP22: Theme from Lord of the Rings by Howard Shore ('Ultimate' version only)
- MAP23: 'Beat the angel' from Tales of Symphonia
- MAP29: MIDI only
- MAP31: MIDI only
- MAP32: MIDI only
- Third episode text screen: 'Primagen Lightship' from Turok 2: Seeds of Evil by Darren Mitchell
See also[edit]
Trivia[edit]
- Peculiarly, Deus Vult II: The First Edition as released on the /idgames archive included a separate GZDoom executable in its ZIP file. It is called by two custom batch files (Deus Vult II.bat or Deus Vult II OpenGL.bat) to either start in software rendering mode or in OpenGL mode. The included GZDoom executable is version 1.1.0, corresponding with ZDoom 2.2.0 (r748), dated February 15, 2008. It also includes an additional ZIP file containing a version of PrBoom to play the included demos located in the Extra folder. The included executable is version 2.4.8.3-Test, dated February 24, 2008.
External links[edit]
- Deus Vult II at Doomworld/idgames
- Deus Vult II at the Doom Speed Demo Archive
It figures this 2018 year will end for me on the same note it lasted – doom. Little is known about the makeup of Polish Evangelist, except some of its members also double in Monasterium. Not that I heard that band before either, but listening to any track from Deus Vult it is pretty clear Evangelist is going to preach epic doom. Moreover, the statement opening guitar and devotion to riffs on God Wills It! reveal a bunch of CandlemassSolitude devotees, only with beefed up bottom end and less ethereal more throaty vocals. It is if God Wills It! setting is in the dungeon of some Knights Templar castle rather than under moon in a forest cemetery. God Wills It! verse make further reference to Athlantean Kodex, and the chorus discloses that Evangelist are very much not averse to hooks and flowing mesmerizing solos.
From song to song Deus Vult never gets off its epic doom direction, but with its unassuming, not overbearing melodies it also never loses the listener. Prophecy is slower and heavier, and more foreboding as a result. The Passing has a syncopated intro and flowing acoustic verse, with its heroic Viking sing along chorus touching on recently discovered re-release Scald full length, and maybe even Bathory. The Leper King, with its historical background, goes more into the early Manowar direction, before things became commercially oriented with Eric Adams &Co. Hooky soaring chorus contrasts a drier verse in Memento Homo Mori, and Heavenwards is a gliding melodic gem, its harmonies a certifiable hit from start to finish. Flowing like religious molasses, Heavenwards gains a bit more pace towards the end, elevating to a double bass after phantasmagoric buildup.
See Full List On Doomwiki.org
Evangelist may be early Candlemass followers in the sound department, and there is no shame in that. They are also followers in spirit, and that is their right. Yet, while being followers, they did not ignore their own riffs and songwriting craft. Due to the last fact, because one can clearly hear thought that went into these compositions, Deus Vult is an entirely quality experience, fully capable of standing on its own two feet without historic props. I often have habits of plucking some songs to make my own little compilations to introduce some of my more adventurous friends to the tracks off the albums I discover through my reviewing life. A pair of songs from Deus Vult will take their rightful place on my 2018 doom inventory, and, granted, for me that year was doom rich, so I had a lot to choose from.